Wednesday, August 05, 2009

Lazy Initialization


A well-dressed, rather well-fed kid with thick glasses on his eyes walking with his gray-haired, grand-fatherly father is becoming an increasingly common sight in our postmodern establishments and colonies. When I see them - the kid and his arthritic father - I feel more and more certain of the opinion that the generation gap is increasing with every generation. I wonder how often they talk, the kid and his old father. And how much they share, or understand, when they do.

On the other hand, at 30 something, SM - one of my good friends - is young enough to play football and dabble in photography, while surviving in an industry which is full of hopeless workaholics. For a man who is married and whose son is old enough to be in intermediate, his youth is a refreshing sight.

He got married when he was still in his teens; when he was still innocent and his wife was still charming. Today, when his innocence and her charm has depreciated, he says he regrets his marriage, but only to the extent any married man does. Not more, he smiles. Perfect marriage is a myth anyway, he says with his post-marriage wisdom, and it is idiotic to wait for the perfect match. Early marriages might be old-fashioned but at least they allowed the couples to adjust with each other before they are stiffened by rigor mortis.

He feels satisfied that he can connect to his son much easier than many fathers of his son's friends. After all, SM is still a young man! And he is hopeful that he will be able to take his passion - photography - more seriously once he gets rid of his fatherly responsibilities, in next 5-10 years. But what about the grand-fathers?

Late marriage leads to larger generation gap and adjustment nightmares. But that's not all.

Deprived of sex, men and women lock themselves in their private rooms, where they indulge in their sweet sex-thoughts. We corrupt ourselves with an abandon, fearing nothing but exposure. The civilization converts a man into a metaphor - we know what to show and what to hide. Under the aegis of a fetish called career, we abstain till we get sick with what we abstain from. But it's alright, since it's an individual choice - to be or not to be (a pervert). But unlike physical sickness, perversion is not completely individual - it has social consequences.

*******************************************************************

Nityanand, the IITK graduate and a GE engineer, who was caught last month by US police in case of cyber-pedophilia, might not be less conscientious than you and I. He was just less lucky than us - he got caught in his private room act. He did chase a child, but does that make him a child-chaser, a wolf? Was he an inveterate pervert who just happened to be good at Math? Perhaps not, perhaps he was a regular pervert like you and I, but got caught in his weak moment.

Whatever, he will be known forever as a child-chaser. He was chasing a child, wasn't he? But what was it that chased him? What was it that played tricks on his mind. What was it that took him near the edge, and in that weak moment, pushed him down, making him a random victim - when he was found fallen, his face looked distorted with lust. He looked like a deterrent.

The idea is not to go too close to the edge. The idea is to realize that if you deny drinking clean water when you are thirsty, you will end up drinking dirty water when the thirst becomes irrepressible. We have collectively chosen to deny clean water. That's why we are flooded by dirty water everywhere. Now the dirty water is leaking into our homes. What do we do now?


Wednesday, July 22, 2009

My 10 Favorite Monsoon Songs


I am one of those ordinary millions who can feel the beauty but can not express beauty beautifully. All I can express is my heartfelt gratitude to those who burned their nights and churned their hearts to discover beauty for us. This little list is a tribute to all such artists, even to those who have not got a mention here. I plead guilty of ignorance.

1. Ghata Ghanghor Bhor (Tansen, 1943)

Music - Khemchand Prakash
Lyrics - Rajender Kishen
Singer - Khursheed Bano

Which contemporary musician can even attempt to work on a musical, in which the protagonist is the mythology of classical music - Tansen! There is no one that I can think of.

Tansen was brought to life on silver screen, in all glory and opulence, amid the sound of temple bells tolling and Sitar resonating till the halls of heaven. In 1943 we had a man called Khemchand Prakash, who promised, and delivered us a credible Tansen.

Tansen showcases super-prowess of the legendary K L Saigal, in and as Tansen. And his reel consort - Khursheed Bano - matches him well. The prelude casts a spell on you as soon as you press 'play', and her earthy rendition keeps you mesmerized throughout. Unknown to the ordinary, this gem is an explorer's delight.


2. Hariyala Saawan Dhol Bajata Aaya (Do Beegha Zameen, 1953)

Music - Salil Chowdhury
Lyrics - Shailendra
Singers - Lata Mangeshkar, Manna De, and Chorus

Which feeling can be more liberating than feeling of relief? And who can feel more relieved by the promise of rains than the poor Indian farmer? Do Beegha Zameen is rooted deep into the soil, and so is its music. The way I look at it, this song is a musical translation of a rainy afternoon. When you play this song, monsoon plays vividly in your imagination. Every note is fragrant with rustic innocence, and though shehnai is sparingly used, it is lovable wherever it is used.


3. Kaare Kaare Baadra (Bhabhi, 1957)

Music - Chitragupt
Lyrics - Rajinder Kishan
Singer - Lata Mangeshkar

Whenever I relax my reverence for Lata Mangeshkar, she comes up with something like this! Vibrant, vivacious, and contagiously so. Pure joie de vivre! The mood of this melody is coquettish and cute at the same time. And for me, there is something more - nostalgia.


4. Kaali Ghata Chhaye (Sujata, 1959)

Music - S D Burman
Lyrics - Majrooh Sultanpuri
Singer - Asha Bhosle

Asha Bhosle, in her early days, sounded (tried to sound) very much like Geeta Dutt - mellifluous, as if she kept honey in her mouth while singing. Or is it love? For her voice is seductively lazy with a monsoon desire. While Senior Burman's compositions have always been distinguished by their compelling visual elements, this one goes further - and veritably fills your lungs with the petrichor of an Indian village.


5. O Sajna Barkha Bahaar Aayi (Parakh, 1060)

Music - Salil Chowdhury
Lyrics - Shailendra
Singers - Lata Mangeshkar

My opinion doesn't matter much. This song makes an appearance in Lata Mangeshkar's favorite-20 list. Need I say more?


6. Zindagi Bhar Nahi Bhoolegi (Barsaat Ki Raat, 1960)

Music - Roshan
Lyrics - Sahir Ludhianvi
Singers - Md Rafi

A beautiful confluence of a common fantasy and a sublime poetry. Unforgettable stuff! You can almost live through this night while you are into the song. Waking up can be heart-breaking. You wish this night to have really happened. But no night, real, surreal, or unreal, can be as fascinating as this one.


7. Tum Bin Sajan Barse Nayan (Gaban, 1966)

Music - Shankar Jaikishan
Lyrics - Shailendra
Singers - Lata Mangeshkar and Md Rafi

After K L Saigal, if anyone has shaped Hindi Film Music, it was this duo. Their success was phenomenal, and therefore inspired subsequent music directors.

In the later years of their career, they sometimes overdid what made them hit - orchestration. But this song is typically SJ stuff - hearty, melodious and simple. The simplicity is ensured by their choice of lyricists - they would hardly ever team up with a Gulzar or a Sahir.

Coming back to this song, this is the only sad song in my list of favorite monsoon songs. By the way, why do we hear sad songs? Why should a good sad song is better than a bad happy song?


8. Rimjhim Ke Geet Saawan Gaaye (Anjaana, 1969)

Music - Laxmikant Pyarelal
Lyrics - Anand Bakshi
Singers - Lata Mangeshkar and Md Rafi

Listening to this song is like sitting near a fire-place inside a quiet wooden house, on a cold dark winter night pouring and storming outside. Besides everything else, there is something vaguely claustrophobic about rains, which makes you feel enveloped in its embrace, and makes you feel drawn to the flame. This song is about this vague awareness, its charm, its dread, and a paradise lost. This song is a story of a beautiful dilemma - you hope it happens as much as you pray it doesn't.


9. Rimjhim Gire Saawan (Manzil, 1979)

Music - R D Burman
Lyrics - Yogesh
Singer - Kishore Kumar

Another gem from the Burmans, this time from the junior Burman. And how he shines in rain! Lata's version is a stillborn; although she is technically OK, she doesn't make up for her lack of passion, and I can't imagine a facile-hearted rain song in my favorite list. Thankfully, Kishore does justice to the tunes. You can raise your expectations as much as you can, this one will meet them all.


10. Rimjhim Rimjhim (1942 A Love Story, 1994)

Music - R D Burman
Lyrics- Javed Akhtar
Singers - Kavita Krishnamurthy, Kumar Sanu

The 80s were the worst years of Pancham's career, and coincidentally for Hindi Film Music as well. 1942 came at a time when melody was exiled out of fashion. With "Ek Ladki Ko Dekha" and "Kuchh Na Kaho", 1942 marked the return of melody to Hindi Film Industry.

With Javed Akhtar, Pancham composed one of the most romantic rain songs ever. Divine. Do they play this in heaven? They must.



the other side of page - I am lousy enough with descriptions. And this section made this post even more difficult for me. They almost made to the list.

11. Jhoole Ke Pawan Mein Aayi Bahar (Baiju Bawra, 1952)

Music - Naushad
Lyrics - Shakeel Badayuni
Singer - Lata Mangeshkar and Md Rafi

12. Thandi Hawa Kaali Ghata (Mr and Mrs 55, 1955)

Music - O P Nayyar
Lyrics - Neeraj
Singer - Geeta Dutt

13. Megha Chhaye Aadhi Raat (Sharmili, 1971)

Music - S D Burman
Lyrics - Neeraj
Singer - Lata Mangeshkar

14. Nahin Saamne Tu (Taal, 2000)

Music - A R Rehman
Lyrics - Anand Bakshi
Singer - Hariharan

and let's be honest...

15. Tip Tip Barsa Paani (Mohra, 1994)

Music - Viju Shah
Lyrics - Anand Bakshi
Singer - Alka Yagnik and Udit Narayan


Tuesday, July 21, 2009

Being Gay


Reverend Father, I want to make a confession - I find men attractive. I have always found them attractive.

Have you seen Sir Viv Richards? No, no, not his face. I mean have you seen Sir Viv Richards walking? Well, leave alone his batting, I find his swagger more attractive than any catwalk any day. Classic stuff!

Oh come on! Don't be prissy about it. You should know that it's not illegal anymore. While you were busy getting outraged, the caravan of mankind was progressing to the better side of Brokeback Mountain. Open your eyes father, and look at the vast valley of freedom stretched as far as your eyes can see.

Personally speaking, I don't care about this legal thing much. What difference does that make anyway? Do they keep an eyes on us in bathroom? I guess they don't. You can sing as you like when nobody is there - classical or punk. That's nobody's business. Why so much fuss then?

Some people are talking in drawing rooms about how Indian democracy has matured and how it has listened to the voice of minority. Since they are well-read people, there must be some sound reason behind all this fuss - one involves adoption rules. Perhaps homosexuals are now eligible for adoption. There is a big plus point there - kids will not be emotionally tormented by questions like who do you love more - mummy or papa?

Now the lovely little wars of favorite will be fought between papa1 and papa2. That sounds funny, but at the same time my heart goes out for the poor kid. Among other things, I don't see too much of shopping happening in this household. I would pray to God to give him faith.

I wonder if gay marriage can be reconciled with arranged marriage. Given the falling gender ratio, the rocketing school fees, and above all - the aversion of parents towards court marriages, it looks possible. I wish to see that happen in my lifetime. I am optimistic, for Linda Goodman says that we are living in an Aquarian age - the age of unisex. I am waiting to see description of a male bride in "Grooms Wanted" section - that will be real blend of tradition and modernity. Democracy will sing "Jai Ho" that day, not in bathroom but out in the open.

Tuesday, May 05, 2009

Drawing-Room Discourse


1. How do we counter soft power without using hard hands?

************************************

Suddenly her face twitched in anger. I couldn't guess why. We were sitting in Subway and munching our favorite sub-of-the-day and doing what we love to do - being with each other. And then all of a sudden! I was blank for a moment.

- What happened?
- Listen to the lyrics.

I do not like western music and my ears are not used to their lyrics. But even I couldn't miss that word - F***. In the song being played, the singer wanted to f*** the woman he was singing for.

Those who know me won't have any problem in guessing what must have happened after that. In no time I found myself standing up and snapping my left-hand fingers and ordering them to stop that nonsense "NOW".

They stopped that nonsense "now". But my peace of mind had gone by then.

************************************

A few days later, a visit to a Levi-Strauss showroom exposed me to another hyper-western atmosphere - which consisted of topless models on the wall posters, F-Tv models parading half-naked on the TVs, and maniquins with their nipples popping out of their clothes.

I fail to understand why somebody must open his fly to sell something as simple as jeans. Needless to say, I found that atmosphere vulgar and distasteful. But more than that, I found it ridiculously out-of-place. "Why these people - these models and these maniquins - have been brought to half-Muslim, and full-orthodox, Hyderabad?", I wondered.

************************************

The instances are multifold, but the question is singular- How do I confront soft power without resorting to rudeness/crudeness?

Though I hate the methods adopted by the fundamentalists like RSS and Sena, I do share their angst. It is easy to hate the fundamentalists since they are loud and crude. They make noise and wake you up. They alienate you from them and their cause. But not all our enemies are idiots like them. In fact, most of them are not - they lull us to sleep by soft hands and then...

To begin with, it's hard to see the soft power - the silent, the slow, the subtle, and the sophisticated power - the cultural power, and it's harder to hate it. Its apparent innocence and innocuousness only makes it more effective in its execution. The cultural weapons inflict cultural wounds (and cultural wounds don't even bleed) and the victims die a cultural death; a quiet, unconscious, cultural death.

"I have traveled across the length and breadth of India and I have not seen one person who is a beggar, who is a thief. Such wealth I have seen in this country, such high moral values, people of such calibre, that I do not think we would ever conquer this country, unless we break the very backbone of this nation, which is her spiritual and cultural heritage, and, therefore, I propose that we replace her old and ancient education system, her culture, for if the Indians think that all that is foreign and English is good and greater than their own, they will lose their self-esteem, their native self-culture and they will become what we want them, a truly dominated nation." - Lord Macaulay (British Parliament, 1835)

I do not want to sound paranoid and xenophobic. We have to be open and outgoing. But we can not allow ourselves to be driven by others. So hate we must no matter how hard it is to hate the soft power.

Or may be we can love ourselves rather than hating them. After all, cultural power can not be defeated by brute physical force.


2. Our daughter - a perfect blend of traditional and modern values.

That's a matrimony cliché - which amuses me often, and sometimes irritates me to no end. Worst - it reminds me of hypocrisy at its best - a hideous woman (in a hideous movie) wearing short skirt and singing "Om Jai Jagadish Hare" in front of the most hideous man who has ever walked on silver screen.

Let's skip that horrible experience. Let me ask you a few questions. Let us see if we even understand the meaning of the words that we speak beyond what is superficial and what is kitschy.

What does tradition mean for us? To what extent it pervades our thought, our behavior, our decision-making process in our everyday life? Or is it just another word, just another idea, just another ideal, which is only to be worshiped in temples but not to be welcomed in homes? How many of us know or even try to know what is tradition beyond wearing ethnic clothes and lighting candles on Diwali?

What makes modern modern? How many of us know (or even try to know) what is modernity beyond what they show in M-Tv? Is it just an urban phenomenon, or something more? Does it have values only? Or does it have anti-values as well? Is it an alternative or is it a socioeconomic imperative?

Both wage a war in our minds to occupy our mental space. Do we ever stop and think about the areas of conflict between tradition and modernity, if there exists any? Perhaps those who claim to have blended the two successfully might explain how they achieved the reconciliation. Or did that happen automatically, unconsciously?


3. We should try everything*.

And everything* typically consists of things they sell in discs and pubs. As far as I know, urban India is not famous for producing rock climbers. Correct me* if I am wrong, but I have been to many cities and I have not met too many rock climbers.

*Spare me if you are one of those suckers who believe that reality shows like M-Tv Roadies are really real.

What's all this fuss over trying? What's there to try anyway in doing something that doesn't need any effort? Do you see any effort involved in drinking? I do not. I see indulgence.

Well, all you dudes and dudettes, wake up and splash your face with cool water - and remember - there is nothing bold in shedding clothes, and there is nothing to try in gulping tequila shots. Any jerk can do that. And every jerk does that.

Perhaps taste would be a better word there - we should taste everything*, if only the lack of taste would not have been so evident in the context we are talking about.

Saturday, March 21, 2009

Hampi - an unforgettable Romance


There is nothing I can say that has not already been said about Hampi (or anything else for that matter). The frequency of my posts should vindicate my conviction that keeping quiet is better than repeating, unless repetition is necessary.

Not much can be heard in noise anyway; and I suspect speech has been reduced to another form of salesmanship, to another type of promising investment for a careerist, to a vehicle that takes people places, and pollutes the air in the way.

Due to the excess that characterizes modernity, words have begun to arouse distrust as soon as they are spoken, precluding any possibility of meaningful communication, something which can not take place without basic credulity. The alternative of speech - silence - is also seen with suspicion, as it is traditionally considered as a mark of hubris if not malice. In this dilemma, language must be released from its appeal mania if any appeal were to be left in it. Meanwhile, till appeal is dethroned and meaning is restored to words, sense of futility must be countered with Sisyphean sense of duty, and honesty.


***********************************************

Tungabhadra might not have been blessed with mysterious Himalayan herbs or mythological favors, but she can also heal wounds; she can also wash away our sins as the sacred Ganges does. This secret was not known to me before I parked my bike, took a dip into the cool currents of the river and saw my memories (and with memories, sins too, for where else do they reside?) fading away in water. You just have to dip your head and lo! your brain is washed clean; and when you look around, the world looks beautiful once again.

That's precisely why we go to distant places - to forget the pains and banalities of the life we live, to get rid of the ghost - the Betaal - sitting on our back. Traveling is nothing if it doesn't involve forgetfulness, and elements of meditation. And that's why I see traveling as a pilgrimage in a truly spiritual sense.

When I came out of her waters, I came out clean; and when I started my bike to leave, I heard her parting message - "don't fear. if your freedom is limited by your needs, so is your bondage." While riding back, I realized that my needs have never been extravagant - more than anything else, I still needed clean air, clean water, a moon in the sky, and peace of mind to feel poetic about the moon. And they were all there in plenty, ironically for those who could not afford the fancy items that are sold in big malls.

It's hard not to meander when rivers flow in your mind. So let me disclose another secret before I meander with the flow - Hampi is green*, so much so that your eyes might acquire a lovely greenish tinge if you stay long enough on the right side of Tungabhadra. Unfortunately, we couldn't. But fortunately, Hampi was in best of her moods - an unseasonable drizzle on our very first night made our second day a veritable romance to remember. Being there, enveloped by that earthy fragrance was delightful enough, but with those banana and coconut trees around wherever you go, biking in Hampi was something dreams are made of.

And so is sleeping on a rock after a tiring day. It was a joy to sit at the top of hill and see the sun sinking in silence of the forest. Looking at the sunset, I got the impression of Holi - the festival of colors - being played in sky. It was such a beauty to behold! I was so mesmerized that I do not remember when I fell asleep there.

With the night-fall my friend and I used to climb up the stairs of ''Roof Top Cafe'', where we dined as long as we stayed there. After a series of bitter disappointments with Idlis and Vadas, we had come to a conclusion that North Karnataka can not offer eatable South Indian food to save its grace. The celebrated ''Mango Tree Restaurant'' was good for lunch because of its lovable ambiance, but it was the cafe that served dinner at its exotic best. In three nights, I had had Arabian Thali which contained mainly Israeli items (Humus, Pita, and Falafel), an Italian delicacy called Lasagne, and finally a Nepali Thali in honor of our hosts. I admit that if I feel like going to Hampi again, it is primarily because of this cafe.

Does that mean that Hampi can not engage us? The truth can not be farther from it. Hampi might not entertain our multiplex generation, but it does have a potential to engage us at many levels - archeology, architecture, epics and mythology, photography, and the list goes on. The more important question is how deeply we can engage with Hampi. A weekend is sufficient to see this place with reasonable satisfaction. But when you come back, you know that you have only been picking shells at the shore; you know that the pearls are still lying on the bed, down in the depths of a world you never cared to explore, a world that is respected even by its destroyer - Time, the hand of Shiva.

*the recommended time to visit Hampi is from November to March.

The photos can be seen here.

Sunday, December 28, 2008

The Walkway


The narrowing strip of land on which we were walking, if seen from sky, looked like a church fallen flat on the blue bed of water, with its long tapering spire thrust deep into the stomach of the sea, spilling a sea of blue blood.

However, if you looked above, from down, from the sea, you could hardly see the walk-way from there. From there, you could only see a flat face of one of the two mountainous walls, or their joining edge towering into the clouds.

The waves of the sea leaped and crashed furiously at the foot of the walls. At the top, almost a thousand feet above the sea, we were walking oblivious to the noise. The sound of sea could hardly climb up to us. There was a humming silence in the air, and a serenity typical of the seaside nights, embracing us all over. A gentle breeze blew carrying the cool freshness of the sea, caressing our faces, casting spell on our mind. That walk was like a dream.

We had come far from the city lights. We had walked past the sinking sun, and then the last of lamp-posts, and now the light faded behind us. In the light of day, we wouldn't possibly have taken that way. In the darkness, we were not able to see where the road led. The sides were appearing to come closer. They had to meet somewhere ahead. It was just a matter of distance.

Above us, the night was pitch dark, and it stretched as far as our eyes could see. The stars sparkled as they sometimes do. It seemed that they had descended a few stairs. They seemed nearer than ever.

The narrowing road was pushing us closer. It was increasingly hard for us to maintain a safe distance.

- Didn't I say you'll love it?
- Yes, I'm loving it.
- Hmm... but it's getting late. Look, the stars are out. I think we should go back now.
- Yes, the stars are out. And the night is lovely. I wonder if we could walk a little further.

It was getting narrower. And she was beginning to get worried about safety. She was beginning to get worried about fall. She was looking down at the sea. On my part, I was looking up at the stars. And at her.

While she was thinking, I was wondering.

I had no idea that something had gotten into her mind.

- I think we should stop now. We'll fall if we walk further.
- Let's hold each other. We'll not fall then.
- We'll surely fall then.

She smiled the way she smiles, beautifully, and meaningfully. I acknowledged the beauty but pretended not to understand the meaning. I pretended innocence. I wanted the life to go on like that. I didn't want anything to change.

That something had started to work on her mind, and on my unsuspecting happiness.

- I am loving it. But I'm afraid we'll get drowned.
- How come? We are among clouds. Water is nowhere near.

I was too happy to think too much about anything. And I didn't want her to think too much either. We were walking together, we were happy, and nothing else mattered.

Life went on like dream, for a few more dreamy minutes, till that happened. One of the stones she had stepped on lost its ground and fell into the deep reality of sea. The fall was as silent as death, and it was sinister in its premonition. It was just a fall, but there was something surreal about it.

Feelings began to get clouded by Fear. The change began to take place. To mark the beginning, the clouds of fear issued forth a frightful thunderbolt.

- I am sorry I came.

She steadied herself and turned back, her face hardened with a determination to go back to the lamp-posts. She was not the same person anymore. She was still with me, but I had already started to miss her. I was left alone with a stranger who wanted to leave, who wanted to leave stars for lamp-posts! My starry dream was turning into a lamp-post reality! And I could do nothing about it. To my dismay, it occurred to me that what I wanted to do didn't carry much weight in the larger scheme of things.

I was standing deserted like a fool, losing my respect, losing my fundamental rights. In no time, the simplest of things became complicated and difficult for me. I wanted to look back. But I couldn't. I wanted to say something to her. But I couldn't. My voice had lost its dignity, its power!

I was burning in shame. I wanted to break my frustrated heart. That was easy. I could do that. And I did that. I looked ahead - the road was still wide enough for solo walk. In my despair, in my desperation, in my self-hatred, I kept on walking, unable to forget my irrelevance, unable to forgive my disgraceful irrelevance in my own life.

I kept on walking alone, in a desperate need to restore my relevance to myself. I had to walk though the night didn't look lovely anymore. The loveliness had walked away to the lamp-posts. And the stars had gone back. What lied ahead was just a dark night, a solitary walk, and a silent fall. But I was not afraid of fall. I had to keep on walking, in order to keep myself from falling in my own eyes.

Saturday, December 27, 2008

Let's Go Party


Man has selected a point on Earth's elliptical trajectory, randomly, but seriously. As soon as the earth reaches that random point, he bursts out in a serious celebration - the annual calendar changing ceremony.

Thousands of people wait for that moment. The moment that is unbearably banal, yet special. The moment that brings no surprise, but oddly - lots of sensation. The moment that changes nothing but mood. The suspension-of-logic moment. The mob-mentality moment. However, the ruling moment, the lucky moment, the princely moment, for which countless other moments wait on, hands tied to their back. The moment the hands of clocks hit that moment, all of them jump with a boundless joy - Happy New Year - believing that their joyful jump will bring them more joy in the new year.

Common man's superstition standing cheerfully on Copernicus' science.

For the whole 24 hours, as the earth turns, the hands of clock keep on hitting at 12, and people keep on jumping with joy, as it happens. A gigantic jump-wave rises from Japan (land of rising jump) and travels west-ward... till it comes round and reaches the east-most shores. In the meanwhile, world ubiquitously witnesses a curious synchronization of jumping-with-joy with ticking-of-clock!

A spectacular show for the aliens.

Thinking of it, mankind has an amazing ability to be happy on pre-determined occasions - on "Happy Days" - on Festivals, which have only mythological relevance, and little personal relevance. However, fun is the dress code for all on festivals, and "Have Fun" is the categorical imperative. Wily or Nilly, all of us "have fun" on festivals. Those who don't feel any particular joy on festivals must feign it. There is no escape from fun but one - and that leads to isolation.

Feigning is still fine with me. That's civilization.

And what's more? Go get a life.

In the rage of happiness, man-kind wrecks the most unkind vengeance on poor animal-kind. Customarily, whenever man gets happy, he takes out his dagger, goes out and comes back happily with mutilated body of an animal dangling dead in his blood-stained hand. In no time, the body is skinned and chopped in hundred happy pieces. With the blood of killed animal, he happily red-washes his Happy Day. Red has been the traditional color of every human festival.

The next standard item in the standard festival protocol is getting drunk, which is usually followed by a wild boogie-woogie - besotted bodies rocking and rolling and banging heads on deafeningly loud beats of drums, till they abandon their senses for the Devil to take. In the steam rising from the dance floor, bodies get warmed up for the heat of last rites. Bodies running around fire, fire running around bodies. Fire dancing on bodies, bodies dancing on fire. Smell of smoke filling the air. Sound of hysteria filling the soul.

Bang Bang Boom Boom.

By the time the dythramb reaches its crescendo, the demon-men and demon-women, with horns grown on their heads, fail to hear anything, except the infernal signals received by their horn-radars, to ultimate pleasure of Dionysus.

Saturday, December 06, 2008

Success = Failure


Success = Failure

The difference between success and failure lies only in what is seen and what is hidden. We see all the pros of success, but not its cons. And we see all the cons of failure, but not its pros. And we conclude that cons of success and pros of failure do not exist.

But they do. They are not seen. But they do exist. And if looked properly, they can be seen also.

Does that make failure any more pleasant? No. I am not saying that. There is no doubt that failure is unpleasant. But it is not always as bad as it is considered. And success is not always that good. This sounds odd. But this is not as odd as it sounds.

Life is not that straight-forward as we take it to be. It take unexpected turns, and what wait at those turns - surprises!

Those who fail may not immediately appreciate the hidden pros of failure. But those who succeed do realize the hidden cons of success, the nuggets of failure stuffed in success - they call it cost of success. Often the price that they pay is too much for what they get, and perhaps that's why they are not as happy as we expect them to be. Look around yourself and you'd know what I am talking about. Or better, look inside.

From happiness point of view, there is not much difference between success and failure.

Even from freedom point of view, the equation holds. You may not know what it means to walk unobserved on the street with your girl-friend. Sachin Tendulkar does know it. Ask him how much can he pay to be a common man for a day, to be able to sit at Chaupati without getting bogged-down by demands of autographs and photographs.

Open your eyes and look around - few things can be more cruel to a man than his success. I was watching Fashion, and the equation flashed before my eyes : Success = Failure.

********************************

If you kill one, you are a killer. If you kill thousand, you are Alexander.

I wonder why do we respect success. What makes success respectable?

We respect what we consider good. But there is nothing inherently good or bad in success. Success has little to do with Good and Bad, with Morality. Someone can successfully kill someone, and someone can successfully save someone - and both can be successful in their respective goals. Success is all about execution, not about intention, not about goal. Consequently, Hitler is no less successful than Gandhi! You must have heard - nothing succeeds like success!

Success involves interplay of acquisition (in foreground) and sacrifice (in background). What you sacrifice and what you acquire don't matter. 'What' doesn't matter. 'How much' matters. You can sacrifice peace to acquire wealth. Or vice versa. You can do either successfully, since success is amoral.

And since success is amoral, we disregard morality when we respect success. And that should come as a surprise to any conscientious society. The take away point - Context is important.

********************************

Management Mantra:- Convince. Confuse. Corrupt.

Carrot and Stick - Success is beyond Good and Bad. But every system super-imposes Good and Bad on success to manage people smoothly and run itself successfully. That's why good success is awarded and encouraged. Good success is as good as success and Bad success is as bad as failure, which brings disapproval and shame.

Every system think for its own - economic system or family system. So we must think on our own. We must not be confused. Words are treacherous, so we must be cautious.

Growth involves 'being'. And success involves 'doing' and 'having'. So success has more to do with efficiency and possession than with growth. But don't we usually confuse efficiency with intelligence, and possession with growth? We must realize that efficiency does not mean intelligence, and possession does not mean growth.

Moreover, since efficiency is mechanical in nature, the pursuit of efficiency is likely to impede the growth of intelligence, which is anything but mechanical. Similarly, and more often than not, the pursuit of possession impedes growth.

An ass in an ass, in Birthday suit or in Armani suit. And a man is a man.

Man is made complete. He grows with time, and growth is natural, inevitable, and individual. He doesn't have to grow like someone else to feel good about himself. But often he is made to feel otherwise - "beta, bade hoke kya banoge?" How does one answer a question like that? How does one know that in advance? How does a bud know how it will look like after it will have bloomed into a flower? This attitude prefers certainties of past over mysteries of future. This attitude is mechanical to the core, and tries to engineer life - to plan and program life because it allows a better control over life. But isn't it foolish, and futile, to control something as random as life? And isn't a controlled life a lifeless life?

How does it matter if it is successful or not?

********************************

Success: Meaning? Immortality?
Man can not digest meaninglessness. He can not believe that his existence is merely incidental. His being rebels against this thought. He seeks meaning in meaninglessness, order in disorder, constantly, desperately.

Man dreads death. He longs to live forever. But since death is the only certainty in life, he seeks to live in something - in somebody or in something. He writes his name on stones. He likes to read his name in magazines. He fathers children, and he likes to father companies.

The two roads meet at a point - meaning in immortality. The old History book is the place to be - that's success!

********************************

Survival of the fittest.
But History has limited seats in its room - birth of Competition. Envy. Rivalry. Survival of the fittest. Survival not on earth, but in the pages of old History book. remember - that's the place to be!

Now many have to lose if one has to win. Many have to die if one has to survive.

"Macedonia is too small for you", Phillip said. And Alexander the Great began his great journey to get rid of his unbearably claustrophobic country.

"Europe is a mole-hill", lamented Napoleon and set out on his odyssey to arid deserts of Africa, and then to ice-cold hills of Alps.

One died young in Babylon; other died defeated, and was buried in unmarked tomb in Helena.

However, they got their seats in History room. We know their names. Nothing else matters. Alexander was incredibly good at killing people, and he didn't want to waste his talent. After all talent is talent, and it must be acknowledged. Why should we always seek value in talent? Don't we keep books of records - who spits farthest, who eats how many lizards etc?

Napoleon was a great emperor, whose fiery ambition was fueled by his shame for his common background. Looking at him it seems that ambition essentially stems from a sense of smallness, a shame, a complex. Ambition - one's desire to be someone who one is not. Ambition - self hate. What else? Why would he wander to places he neither loved not hated? Why would he go uninvited, unwanted? And why would he win when he didn't know what to be done after winning? Did he need all that? Ambition - first cousin of Greed the Deadly Sin. Ambition, I believe, is an unfortunate disease, which can not be cured by any medicine, any achievement, any conquest. Those who live with it die with it. Ask Josephine. Didn't Napoleon leave her - his first and last red-blooded love - to marry another woman, only to be accepted by the blue-blooded nobility. The poor commoner emperor! Though he lived in riches, his penury lived inside him.

Instead of finding happiness in ordinariness, man strives for extra-ordinariness. And in vain. This quest of extra-ordinariness is the cause of all human strife. And if taken to its logical conclusion - it ends with Nietzsche's Superman and Eugenics and Hitler's purity of race and ethnic cleansing.

For those who are punished for their ordinariness, Success is Revenge. Rich man's peace gives way to poor man's Justice.

Good old Edmond Dantes, an ordinary man who didn't demand too much from life, who occupied a very small space in the world, and who minded his own business, till all that happened, decided to slough his ordinariness, to expand himself, and to assert himself on the world.

He avenged his ordinariness. Success, like Revenge, is about expansion, and penetration. Like Revenge, Success is disgustingly masculine.

However, the wheel of success rolls on, making infinite vicious circles of failure.

********************************

Micro Success versus Macro Success.

My organization needs innovation for success. My question is - does mankind need innovation? My answer is - No. I believe that the technology that we already have is good enough for us. We don't need any more of it. All we need is more efficient application of available technology - we need better management and better governance.

Let's list down top 5 contemporary problems of mankind and let's see if they can be resolved by innovation.

1. Loneliness
2. Death and Disease
3. Disparity
4. Pollution
5. War and Terrorism

I'm afraid some of these problems are rather aggravated by technology. Was Hiroshima or 9/11 possible without technology? Can porn industry survive without technology? Mankind is still nursing the wounds of modernity, and mass production. We don't want any more of it.

But then the success of my organization depends on innovation.


********************************

The idea is to redefine success, so that it is better than failure, not just nominally, but in real terms. The idea is to redefine successful, so that he is any different from what he is today - a pathetic loser.

The essence of work is growth, and leisure. If Man doesn't have leisure, he would not be able to wonder. He would not be able to realize his potential as a human being.

And he would not be able to play with his kids.

Thursday, November 20, 2008

Responsibility

I have noted that Responsibility is used in following contexts :-

1. Existential - A man is responsible for his actions.

A man is (condemned to be) free. He has choices, and he has freedom to take decisions. He has to take decisions. And he is responsible for the consequences of his decisions.

2. Moral -

a) Duty - "This is your responsibility to see to it that none of them crosses the bridge alive. May God bless you."

When used in a right tone, this word can set wrongs right. This word can legitimatize things that can not be legitimatized otherwise.

When you entrust someone with responsibility, he feels grown-up, and important. It is not hard to manage them then.

b) Privilege - "We are happy with your dedication. You'll be given additional responsibility."

Instead of a task, this becomes an award. Farming itself becomes harvest. A farmer is given a responsibility of farming, and he happily accepts it in hope of a harvest. In his mind, farming is no different than harvest.

Sunday, September 28, 2008

Maya


Art Gallary:-

First painting - showing a woman with a huge pair of melons.

Second painting - showing a headless woman with three melons, the third one is seen in place of the missing head.

Third painting - showing a man with a cannon between his thighs, and other men looking at him with awe.

Fourth painting - showing a woman with a globe rolling inside the dark hollow between her outstretched thighs.

STOP IT. STOP IT. IT'S GROSS. GROSS. GROSS.

********************************************

Plato had said that art imitates nature. I am not sure about that, or the reverse of that, but art does attempt to capture the elusive, the mysterious, the indescribable, and the unspeakable.

It is often politically incorrect to speak the unspeakable. It is often indiscreet to hold mirror to an ugly face, especially when the face is pally with a pair of punch-happy hands. In the mentioned case, with or without vulgarity, our artist is accused of depicting human bodies in a distorted fashion. But he was not depicting human bodies as they are made, but as they are seen, and as they exist in our collective consciousness. Can you dare to differ? Is human attention evenly distributed over a human body? Don't we make a fetish of female breasts, and don't we worship male members? The truth is that the distortion happens in our mind first, and only then in an artist's works.

When we convict him of 'sickness', we should remember that out-of-proportion involvement with anything is a sickness, which distorts our vision, our understanding, and our judgment. And this holds true for anything and everything.

************************************************

That - distortion of vision, understanding, and judgment - is called Maya - one of the million ordinary words of our colloquial language which contains extraordinary depths of philosophy within. There are other connotations of this word, but those are beyond the scope of present discussion.

In my limited understanding, Maya is caused by the following -

1. Ignorance -- Watch Matrix to understand this.

Our mind is narrowed by the immediate and the instant. A holds the tail of an elephant and gets convinced that it is a rope. B claims that it is a pillar. C believes that it is a wall. They don't listen to one another. And they conclude wrongly.

Even listening to other doesn't help. In a Panchatantra tale, a farmer listens to thugs and gets persuaded that the goat that he is carrying on his shoulder is a dog. In the end, he loses his goat to the thugs.

We are ignorant, and we pay for our ignorance throughout our life. But we hardly think. We defend our sloth and attend to the most immediate practicality. Few 'impractical' daredevils told us that earth was not flat, and they told us that it was earth that revolved around the sun and not the other way round.

See! What we see is still the same, but our sight is lighted by knowledge. We grope in darkness and make ourselves miserable. And suddenly a flash of light shows us the truth - that it is an elephant and not a rope, a pillar, or a wall.

2. Attachment -- In Geeta, Krishna warns us of two things - A. Ego (sense of agency), and B. Attachment. It is attachment which is source of anxiety and fear and then anger, which clouds our judgment.

How ironical it is - we place value in things, and then the same things start to control and dominate us!

I'd read the line written above once again - we place value in things, and then the same things start to control and dominate us!

Most of the things we think we need are the things we don't need. We run after those things that are wanted by people around us - gadgets etc. Similarly, we don't give up something that we don't want because we fear that someone else might pick that up and run away, making us stand like a fool. But we make a fool of ourselves by running after things we hardly care for, and holding something we would rather be dispensed of. Without being unselfish, we live for others. Well not for others, just keeping others in mind. How many things we do are things that we would do without letting others know?

Our crowd mentality is further aggravated by comparisons and competitiveness. The award system and myth of something called success further confuse, and control, our already scattered thoughts.

It is important to realize that success is not a condition for happiness. From pure happiness point of view, success is not always better than failure. Sometimes, it is worse than failure. The pursuit of success leaves the senses paralyzed. No wonder a successful man is a miserable man, because the ambition needed for success is nothing but a deep-seated feeling of inadequacy.

This feeling of inadequacy makes up one's ego, which needs to achieve a goal to feel adequate - therefore attachment - therefore Maya, and misery.

Wednesday, September 24, 2008

Have Fun


The wait is over - this Friday is FunGaMa day. (Applause)

It's good to have fun, and John wants you to have fun. So all of us will have fun. (Applause)

OK. Let's discuss the plan now. The fungama will begin at 9.00 AM sharp. I want everybody to be in the campus by then. Don't be late, and Don't be absent. John himself is coming with us and he will be there with us for the whole day. (Applause) Managers will make the roll call and make sure that their team is present, and present on time. I don't want to hear any excuse.

The dress code for fungama will be ... (pause) ... a Smile. (Applause) Make sure you wear a smile on your face. That's mandatory. (smile) If we catch any of you without smile, we will make him or her dance. Dancers don't have to be happy, they will have to sing. If any of you find anyone without a smile, report to the fun team. The fun team will make sure you dance and sing throughout the day.

I would like to congratulate the fun team for their tremendous effort. (Applause) You can see the fun schedule on the home page. There are many fun events, and your participation is mandatory. There are exciting prizes for winners. John himself will give away the prizes. Let's see who takes away the titles of Mr Funny and Miss Funny this time. No, you can not get both, can you? (smile) Losers? Well, they will have to do what winners want them to.

The fun team has laid out a funny rule this time, which we will follow. As soon as you hear the command - Have Fun!, you have to start having fun. But before you start having fun, you have to wait for the command. Nobody will have fun before hearing the command. You can not have fun in your own funny way.

Saturday, September 20, 2008

The Sense of Nonsense


A friendship of childhood is enduring friendship. Only children make good friends, adults make networks. If that's true, what to do to make friends? It's simple - be a child.

I agree that mutual respect is the root of every human relationship (ignore commercial or political alliances for a while). No relation can survive without respect. But being touchy about it hardly helps. We must not confuse criticism with disrespect. We often do that, don't we? And we must not judge after passing the judgment. Once a person wins our respect, we should relax and let the person relax. After all, none of us is infallible, and all of us need to be forgiven.

I often think that we get mature without knowing what maturity is. Maturity can not possibly mean doing non-serious things seriously. Growing up can not possibly mean being petty and selfish. If it is like that, then what's so mature about it? Also, we forget that we are ageless; adulthood is only a state of mind, which can be (and must be) suspended for a while. We must allow ourselves a parole, to go out of our cells and handshake with other inmates.

I have realized that there is lot of sense in nonsense. At least it makes sense in friendship. Two people make good friends only when they do lot of nonsense together. No wonder we make good pals in our graduation and fail to do the same in our post graduation.

Monday, September 15, 2008

On Dating


Three things torment people who are otherwise not tormented - 1. Boredom, 2. Loneliness, and 3. Memories.

If we take care of the first two, the last one takes care of itself. You forget nothing, but you learn to live with it.

Boredom is a petty emotion. It is a sign of sloth, mental as well as physical. And sloth is a sickness that can not be cured by bed rest. It is cured only by activity, which is followed by an interest (in that activity) and enthusiasm, the antithesis of boredom.

A bored person is an empty person who craves for something to fill his emptiness, someone to entertain him. He lacks imagination. A bored person feels lonely (as long as he is alone*) and desperate. So 'something' could be anything, and 'someone' could be anyone. Boredom is promiscuous; it lacks character.

On the other hand, a lonely person feels lonely, but not bored. He sometimes gets bored only in company of boring people, but not in isolation, not in his own company. Loneliness is not empty; on the contrary, loneliness is a longing to share. It is a longing to share all that have been earned in long lonely nights - the stuff poetry is made of. It is a longing to share bright thoughts and stupid dreams with someone who can understand. It is a painful longing to express, to be understood, to love, and to be loved.

Loneliness is the stinging tail of solitude. It is painful, but it has passion, it has patience, and it has character. It is a choice that few deserve and fewer make.

But, after all, being lonely hurts. And there is nothing noble in it.

********************************************************

Loneliness is a congenital problem, but it has been further aggravated by modern lifestyle. How?

With the number of channels on TV, and the types of personalities have multiplied manifold in recent times. We are what we see. We are what we choose. Among so many options kept on shelves, we choose some at the cost of many others, knowingly or otherwise. And we know little about the options we don't choose, and we know little about the people who choose them. In case we do know, we look down on them. And in case we look up to them, we hold a grudge against them because we have to look up to them. They are either strangers to us, or adversaries.

It sounds complicated, because it is complicated. We are living in complicated times. The profusion of options in market has brought the finer elements of our personalities on fore. And we link our ego with the things we consume. We have bar-coded ourselves. We talk about Identity. We talk about Taste. And these things matter to us like never before.

I have already talked about Identity in my earlier posts. The pursuit of identity ends in a frozen isolation. And taste takes a toll on our tolerance. Taste comes in pair, the other being distaste. Taste means judgment, and discrimination. I have a taste for old Hindi film melodies, and I can not stand rock at all. My hatred to noise is uncompromising, and unconditional. Worse, I am helpless in my hatred. And that hardly makes me very friendly to my friends.

I mean to say that no matter how cosmopolitan we may be, our personalities are more defined, and more confined, than those of our parents. And that makes us lonelier than they were. This situation is not helped by other things, like cut-throat competition, aggression, ambition, and our all-consuming working hours. We stay away from our family, we never see our neighbors except in morning (in the parking lot), and our interaction with our colleagues is strained by professional discretion.

And then nights come with a darkness stretched all over. Never mind the networking, but when we want to talk, we hardly find anyone in our entire contacts list. I have seen myself browsing through my list and then tossing the phone on bed in frustration. I have realized that cell phone is useless when we really feel like talking.

********************************************************

Since modernity is inescapable, the antithesis of loneliness can only be found within the same set of premises.

I will come directly to the point. It's late and I've to sleep to wake up to go to office.

A few days back the topic of dating popped up, and it was met with disapproval. I wondered what's wrong in it?

Dating is a western concept, isn't?

True, it is. But then so many things are. So much so that it is hard to say what is ours and what is not. In a mixed (and messed-up) culture like ours, what is ours anyway? Considering our work-style, fun-style, and the whole lifestyle, the argument against foreign doesn't hold too much of a relevance.

At the same time that does not mean that we should run after everything exotic. That would be equally idiotic. The point is - that is not relevant here.

The point is - things change with time, and values that are incompatible with lifestyle will be idealized, and idolized, but will not be adopted. Suppressed by society, individuals will resort to corruption, deceit, hypocrisy, and perversion. Don't we see this happening everywhere?

Dating - hunting women, isn't?

That's not the right word. It can not be denied that there is some youthful playfulness in dating, but youth can be playful without being disgusting and malicious. Besides, youthful playfulness is better than middle-age perversion. It is better than post-marriage regret and breaking-up of family. And for us Indians, nothing can be more disastrous than that.

Dating just means meeting a person of opposite sex to see if it can work out. Since we are different people, with different values, taste, and aspirations, it is not easy for us to bump into equally different person, especially in our busy everyday life. And so it is not easy for us to step into a committed relationship, which requires certain compatibility to keep two people together in this crazy age of liberation. Result -- loneliness.

It's time dating is taken seriously by young urban India, and by their parents. It's time it is not just tolerated, but understood. It's time it is allowed, encouraged, and institutionalized by our society. Let's not be sneaky about our most compelling desire - the desire for a human touch. Dating can solve some of our problems if it is carried out properly. I think its time has arrived.



* which means he does not feel lonely. A bored person confuses boredom with loneliness.

Sunday, September 14, 2008

Sajjad Hussain - The Mystery Musician


Sajjad Husain was one of the most interesting music director in the Indian Cinema. His contemporaries agreed that he was the best of the best! So great was he that even Madan Mohan lifted a tune from Husain's old song, and that Madan Mohan song went onto to become a great hit!

He was no ordinary talent. Such people come rarely and show flashes of genius before they become victims of their own eccentricity. Ghulam Mohammad, Pakeezah's Music Director was another. The text below is taken from this page, with a view to popularize the story and the genius of Sajjad Husain - the only Original music director that Hindi Cinema ever saw!!

Two incidents which best explain Husain's personality and genius:

One: how, during a recording, he called out tartly to Lata Mangeshkar struggling at the mike with one of his intricate compositions, "Yeh Naushad miyan ka gaana nahin hai, aap ko mehnat karni padegi."

Two: how at a music directors' meet, eschewing the customary diplomacy of that era, he walked up to Madan Mohan and demanded belligerently, "What do you mean by stealing my song ?" ("Yeh hawa yeh raat yeh chandani" from his 'Sangdil' had just found a new avatar as "Tujhe kya sunaoon main dilruba" in Madan Mohan's 'Aakhri Dao'.)

These two hallmarks of Sajjad's identity -- his penchant for complex, many-layered compositions and his singularly forthright nature -- stuck to him like a second skin throughout his life. And they combined in a rather unfortunate manner to diminish the potential brilliance of a career that could have ranked among the most celebrated.

It was not the intricacy of his compositions that put Sajjad at a disadvantage -- he worked, after all, in an era that belonged to music directors with erudition and firm classical foundations. Where he lost out was in his handling of producers and directors, sometimes musical illiterates, who sought to simplify or alter his tunes -- his contemporaries dealt with such "suggestions" rather more tactfully than Sajjad, who would immediately [get] up and walk out of the film.

"He was an extremely talented man, very knowledgeable about music, but his temperament was his undoing," says Naushad. "Even if someone made a minor suggestion, he'd turn on him and say, 'What do you know about music ?' He fought with almost everyone. Because of this, he sat at home most of his life and wasted his talent. But the body of work he has produced, small as it might be, ranks among the best in Hindi film music."

Music historian Raju Bharatan, whose interaction with Sajjad goes back a long way, has a somewhat different insight into the man. "It's true he wouldn't let musically unqualified people interfere with his work,but the popular perception of him being stubborn is not right," he says. "Sajjad had a rational explanation for every action of his. You had to know him to recognise his tremendous erudition, the fact that he was far superior to every other music director in the industry."

This erudition, the cornerstone of Sajjad's work, is recalled affectionately by Naushad.

"He took pride in his ustaadi," he says. "He'd tell the producer, 'I've created a tune which even Lata can't sing.' And the producer would say, 'If Lata can't sing it, how do you expect the common man to sing it ?' But at the same time he did create simple, yet extraordinary, compositions -- for example, "Yeh kaisi ajab daastaan ho gayi hai" from 'Rustam Sohrab'."

Indeed, as far as Sajjad's formidable talent goes, there are no two opinions. Madan Mohan, when confronted with the charge of plagiarism, reportedly told him, "I take pride in the fact that I lifted your tune, not that of some second- or third-rater." Anil Biswas, himself hailed as a creative genius, declared in an interview that Sajjad was the only original composer in Hindi films. "All of us, including myself, turned to some source for inspiration," he said. "This, Sajjad never needed to do. Each note of the music he composed was his own." If Sajjad was known primarily for his film scores, there was also another facet to his art -- he was an accomplished albeit self-taught mandolin player who could stun even purists with his ability to play Hindustani classical music on this rather uninspiring western instrument.

His performances at concerts alongside the biggest names in classical music spurred rave reviews, and connoisseurs would be agog at his ability to coax the meend, for instance, out of the instrument of play entire ragas with the help of the tuning key. "In the hands of Ustad Sajjad Husain," said a review of a Madras concert in 1982, "the mandolin bore the halo of a Ravi Shankar sitar or [an] Ali Akbar sarod. His playing is that of a mighty maestro."

On July 21, the 79-year-old composer breathed his last. The leitmotif of his lifetime, isolation, cast its shadow over his death too, when, with the notable exception of Khayyam and Pankaj Udhas, nobody else from the film industry bothered to turn up to pay him their last respects. "It hurt," admits his son, "but what is far more important is that to the last day of his life, my father was happy. There was no bitterness, no regrets. He could have been hugely successful, made piles of money, but the only thing he wanted was to be acknowledged as a great musician, and to live life on his own terms. And I think he achieved that."

Read more about Sajjad Hussain here. And read what Lata Mangeshkar says about him here.

Sunday, August 31, 2008

Islam vs Secularism


Secularism is defined in the Webster dictionary as: "A system of doctrines and practices that rejects any form of religious faith and worship" or "The belief that religion and ecclesiastical affairs should not enter into the function of the state especially into public education."

There is no doubt that secularism contradicts Islam in every aspect. They are two different paths that never meet; choosing one means rejecting the other. Hence, whoever chooses Islam has to reject secularism. In the following, we go in the details of explaining why.

1- First, secularism makes lawful what Allah has made unlawful.

The Rule of Allah (Shari`ah) is compulsory and has basic laws and regulations that cannot be changed. Some of these laws are concerned with the acts of worship, the relations between men and women, etc.

What is the position with regard to these laws?

Secularism makes adultery lawful if the male and the female are consenting adults.

As for Riba (interest on money), it is the basis of all financial transactions in secular economies. On the contrary, Allah says (s.2 A. 278): "O you who believe, fear Allah and leave what comes from Riba if you are believers. If you do not do so, then wait for a war from Allah and His Messenger."

As for alcohol, all secular systems allow the consumption of alcohol and make selling it a lawful business.

2- Second, secularism is clear unbelief (Kufr).

Secularism is based on separating religion from all the affairs of this life and hence, it rules by law and regulations other than Allah's laws. Hence, secularism rejects Allah's rules with no exception and prefers regulations other than Allah's and His Messenger's. In fact, many secularists claim that Allah's laws might have been suitable for the time they were revealed but are now outdated.

As a result, most of the laws governing the daily affairs of life in the countries ruled by secular systems contradict Islam. Allah says (S.5 A.50): "Do they seek a judgment of Ignorance? But, who, for a people whose faith is assured, can give better judgment than Allah?"

Ibn Katheer said in the Tafseer of this verse that Allah is denouncing those who reject His ruling and accept other rulings that are not based on the Shari`ah of Allah. Whoever does so is indeed a non-believer. Indeed, belief in Allah can never go with the acceptance of other than His rulings in one's heart. Allah says (S.5 A.44): "If any do fail to judge by what Allah has revealed, they are non-believers."

From the above, the status of secularism and its relation to Islam are clear. But the ignorance about the Islamic truth is still dominating the Muslim's mind. Most secular systems repeat slogans like "no religion in politics and no politics in religion" or "religion is for Allah, and the state is for the people." Such sayings portray their view of Islam as a religion to be practiced in the mosque only, and that it should not be allowed to rule life outside the mosque. Furthermore, they try to deceive people with democratic slogans like "personal freedom" and "people governing people." That means that people come first and no place is made for the ruling of Allah.

This is why secularism is clear Kufr, this is why secular systems have no legality and authority and should be rejected by Muslims.

Courtesy - www.islaam.com

For more information about this, read this, and this.


Sunday, August 24, 2008

Giving In


"You need not say a word. Let your character come forth to your defense, and speak on your behalf in the hours of trial." I used to believe and follow this religiously. Everyone liked me then, when I was a teenager.

I am the same person, but today my whole being revolts against this thought. Why should I care for this trial? Is my life nothing but a mere preparation for an unknown inquisition which lurks somewhere in future, and for which I need to collect evidences and witnesses who would testify to my uprightness? Why should I live in this dark shadow of fear? Isn't fear a dehumanizing emotion?

And was my idea of character any different from a mere collection of my impression on others? I was out to make an image. But I not aware that images come costly, and their maintenance was even costlier. Plus it was demeaning to sell yourself in order to buy your image. How dreary it is to be interpreted by others! How scary it is to be subjected to others' opinion about yourself! How suffocating it is to explain yourself to others! How mechanical it is to be consistent! All this to keep an image!

And all this when judgment has already been written in favor of the powerful! Keeping the judgment hidden inside the drawer, the judge sits through the entire farce and amuses himself. No court has ever given justice to anyone; the best of them may afford alms of kindness to those who inspire pity. Thanks, but no thanks. No courtroom drama for me.

I will not answer their questions. If they insist, I will try to obfuscate them, and dodge them as long as I can. Since I don't play mind games with lesser people, I'll suspend my logic and give in to my imagination. I will talk nonsense with random burst of passion. I will speak in a language they wouldn't understand, and grin at their face, thereby confessing crimes I have never committed. I will pretend like a genius-gone-gaga. I'll give a blank look to the lawyer, and then I'll complain of a queer smell in courtroom. By the way, if the judge happens to be an old man, I'll let him know that I am an inveterate atheist. It will be fun to hear from him that that's irrelevant to the case. If the judge happens to be a woman, I will like to point out that her little ear ring sways wildly and diverts my attention from the truth. *

It sounds weird but I feel an urge to rebel against this tyranny of feedback. Sometimes I deliberately do things to invite people's disapprobation. The image of Jesus Christ comes to my mind. What a man he was! They kicked him, mocked at him, crucified him with petty thieves, and worst of all - left his dead body to rot out in open. I wonder what held his head high. Did he live for honor? No. Perhaps he never thought in terms of honor and shame. A life in pursuit of honor ends up becoming a life of slavery, which is more shameful than anything else. Fear from ridicule makes life ridiculous. Damned are those who can't take ridicule. They are not capable of being anything of any worth. They will be ruled by carrot and stick. As far as I am concerned, I know I can not stop the fools to judge me, but I can not allow the fools to rule me either. **

************************************

An actress is not fully accepted in film-factory unless she sheds her clothes. Clothes are considered a symbol of self-indulgence, and individuality, which has no place in a meat market. Meat need not have a face. Meat must show humility to its consumers. Every bit of young actress' reluctance is relished by the self-assured market-men, who know that everything comes with a price tag, and a breaking point. They use price as a means of psychological pressure, and savor the silent spectacle of her breaking down, the longer the better. In pressure, our mind invents excuses and makes us fit enough to survive. And the fit person, an apostate, not only survives but also becomes an passionate supervisor of the ruling cynicism. That's how cynicism works.

I have seen people around me giving in to things they otherwise disapprove, like smoking and drinking, only to be accepted in a group. And the group hates those who stay put on their grounds. The group hates the vanities of man - the so-called values (and the fetish of face)! They use seclusion as a means - they lock you in a remand room where nobody talks to you except the walls, till you give in.

*********************

* That reminds me of this supposedly serious meeting with my HR manager. I was not in a serious mood though. So I took her on a roller-coaster. She must have expected another banal intercourse with a java guy. She was pleasantly disoriented. Audacity! mixed with middle-age chivalry worked like a charm. None of us can resist entertainment, especially when it is followed by flattery! That was risky, but the risk was worth taking it.

Warning - Do whatever you want to, but don't forget the code of sophistication. More importantly, never try this with a Scorpio, or a Capricorn, no matter how cool or hot she looks. You'll have to regret it.

** What will people say? attitude bugs me to no end. It saddens me to see that we seek public opinion even in (ironically, only in) private matters. Even love is not a matter of will anymore, it has become a mandate.

Lest We Forget


All of them might not have been able to win gold for India, but they are worth their weight in gold. Our olympians have showed us Taare Zameen Par in real life. By sheer power of will, they have fought and won over thousand odds. Despite their loss in tournament, they are all winners. They are all heroes and heroines.

Kudos to all of them.


Nothing succeeds like success. Hope their success succeeds. Hope we start looking at sports as a practical career option for our children. Hope government and corporate invest their resources to shape the talents of thousands of anonymous Sushils and Vijenders, because every parent is not like Mrs and Mr Bindra. India needs more Bhiwanis.

Apart from infrastructure, sports needs visibility. We can not rely on Olympics and commonwealth games only. It's time more tournaments are organized and media gives them more coverage, thereby creating a competition among the states. India has more Bhiwanis, only waiting to be unearthed.

Rajdeep Sardesai comes up with an idea - "why don't each of the IPL team owners adopt one sport and make it part of their business plan?" This idea is not far-fetched. After all, it was none other than L.N.Mittal who had steeled the chances of our players. Mittal Champions Trust (MCT) has been supporting 14 players who participated in Beijing Olympics. Abhinav Bindra was supplied not only with cartridges, but also with physical trainer and mental therapist. Akhil Kumar had been sent to London for medical treatment when he had broken his wrist. Thanks to their success, MCT is willing to extend its support to more number of sports and sportsmen (and sportswomen). Even BCCI can come forward and contribute to the impending renaissance.

In any case, let Beijing 2008 be a point of departure, not a point of arrival. We've won medals in martial games, now we know that we have got that in us. We want to win, and our desire is not short of strength. All we need is a professional approach in sports. Given the grit and spirit of our players, I'm sure we'll make a mark in London 2012.

Monday, August 18, 2008

Commentary from Coorg


14 August, 2008: We boarded on MMTS local at Hi-Tech City railway station to catch Bangalore Express, which was to depart at 19.00 from Kacheguda (Hyderabad). This is an overnight train with no pantry car, so it's better to carry food if you don't want to sleep hungry. Anyways, as soon as I stepped into the train, I was impressed by its brand new look. The leather-brown seats with matching curtains, cream colored walls, and the clean floor glittering with mica, created quite an aesthetic surrounding. Also, this bogey had an additional side berth, meaning more revenue for the railway. Laloo's team is indeed coming up with some innovative ideas and though most of them are only to fool people, I give him a thumbs up for this one.

15 August, 2008: We hit the Bangalore-Mysore highway at around 11.00. Our Scorpio was running at top speed; the weather, the cool breeze, and the greenery made our mood in no time.

The road after Mysore is not that great, but there is no dearth of greenery. By afternoon, we had reached Kushalnagar, which is home to thousands of refugees from Tibet.




It is a indeed a unique experience to see so many Buddhist monks in this part of India. At the same time it seems a trifle strange that they have chosen to settle so far from their homeland.

These thoughts vanish as soon as you enter the Golden Temple. The exterior is exotic enough, but it is the interior that is awe-inspiring. Three 60 feet tall statues welcome you and dazzle your eyes with golden brilliance. I gazed at the statues for sometime; but before the solemnity of the place seeped inside, my curiosity was roused by the elaborateness of arrangement. I tried to capture the magnificence of that place in my camera, without losing the details of decoration, only to feel frustrated.


We had lunch (which smelt funny), browsed some shops, chatted with their owners, and then moved from there. We reached Medikari in evening, booked a hotel and called it a day.

16 August, 2008: The day began with a drizzling, which didn't bother us too much. In fact, I will recommend you to visit Coorg in Monsoon only, because the place looks greener than ever.

We drove to Abbey's fall first. All you should not forget is to fold your pants before you go near the fall, lest leeches will stick to your body and will suck your blood leaving practically nothing for your boss. The fall was the largest I had ever seen. Its roar was audible from the road itself. The water crashed against the rocks and the vapor flew in air, making the drizzle superfluous.

We were under a misconception that rafting takes place in Talakaveri, the origin of Kaveri. Since I was disturbed by some unpleasant developments in my personal life of late, I was unable to do my homework properly. That does not mean that I regret going to Talakaveri. In monsoon, there is nowhere you can go in Coorg and regret. The way to Talakaveri was walled by dense forests, and coffee estates. We were literally among clouds. We could see them playing with winds, running over hills, like little children.

We had to miss Nagarahole National Park because of its timings. We were least interested in tourist points like Madikeri Fort and Raja Seat etc. There was no sun, and no sunset to be seen from Raja Seat. So we came back to our room, took our dinner followed by a stroll (which I enjoy more than anything else) and retired to our beds.

17 August, 2008: We were to miss elephant ride in Dobare because of timings again. We had thought of taking the ride after rafting, but we didn't know that the ride is given till 13.00 only. Anyways, we were interested in rafting and we didn't want to miss that.


We didn't miss that, thankfully.












We dressed up and posed with our paddles before setting off for our maiden rafting experience. We all were excited about it, but the flow in Kaveri was not very enthusiastic. If you ignore a few rapids in the way, the flow was looking more suitable for boating than for rafting. Anyways, half of the fun depends on things other than the flow of Kaveri. We made fun of the flow and dived into the river to redeem the value for our money. It was nice to lie down on water, facing the sky and ignoring our instructor's instructions. In the end, we were a happy lot.

We had to reach Bangalore by evening. So we had to wrap things up. We took lunch at a nearby restaurant, which served us simple South Indian meal. And that tasted better than all the North Indian food we had eaten throughout the trip.

Our last halt was at Nisargadhama, which is a sort of botanical garden. There was hardly anything of any particular interest for us. We walked about for sometime and then decided to push off from there.

Coorg will remind me of forests, and clouds running over the hills. The hills give you a sense of isolation from the noise of urban life, and a peace of mind. The silence of forests has a way of calling those who can hear the call. Let me hear the call again, I promise to go back again.

Thursday, August 14, 2008

Companionship


What is this mystery - companionship?

Incredulity is the first thing I feel when I open my eyes. It's hard to believe what has happened. Things change so unexpectedly that it's hard to believe, as well as disbelieve, anything. What is relation when our relations are as fickle as our moods. They grow; and before we know, they fall sick and die.

You imposed yourself on me when I was at peace with myself. And you turned your back on me when I needed you the most. You have gone away and there is no hope of your coming back.* In my despair, your memories come to haunt me when I am lonely.

And I am always lonely. I nod while listening to others but I don't hear anything. I feel lost in a vast expansion of a limitless desert. There are no star in sky to show me way. I am confused. I only hope not to be corrupted by this confusion.

People try to convince me. But I am already convinced. Nothing is easier than convincing the mind. Mind finds honorable excuses for things that we do, and things that we don't. I also know that everything happens for the best. That's pretty obvious, isn't it? But convincing the mind doesn't soothe a wounded heart too much. I know I ought to be happy. But I am not. Nevertheless, I say I am happy. I feel something, and I say something else. Words are useless when we are sincere. We hardly understand others' words. We are all condemned not to be able to understand one another.

Life has a funny sense of justice. You see - life is easier for those who litter than for those who care to clean the litter. The former cheerfully exploit the weakness of the latter. Love is also a weakness, which is duly exploited as soon as it is detected in others. Civilization has made us clever enough to recognize trust, kindness, gentleness etc in other person and then exploit them to the last drop. In any relation, the one who loves less exploits more. But some of us still clean, and some of us still love. Isn't it funny?

Is it pain that I feel in my chest, or is it just a vacuum? Do I really miss your sweet nothings? Did I really take those sweet nothings seriously? I had never thought so. But I was wrong. I am bigger sucker than I had imagined myself to be.

I can imagine your pain, and the vacuum in your chest. But I can not feel your pain. I can feel only my pain. We can not feel each others' pain. The inability to feel each others' pain separates us, and often makes us distrustful to each other. But the pain itself - that unites us. The mutuality of suffering binds us in our separation. Can't you see a togetherness in our separation, a companionship in our fate? We can not meet but we are still companions, like two parallel rails of a railway track. We have to bear the weight of our fate, together, separately.

*your person can, but you can not. You, as you existed then, can not.